Hi imnate. Try to see the figure as a whole and not as separate parts when drawing the gesture. Don't think of the torso, head, arms and legs as separate elements but as an organic whole. Very often I see you separate the arms and legs into individual gestures instead of one fluid movement. I'll post an example that I've redrawn on the fly (obviously mismeasuring the sheet!) to show you what I mean. It is the last pose in your series (but the same applies to the others). As you can see, there is a fluid line across the whole body and then another line that includes the shoulders and both arms. Always start by looking for this relationship between the body parts before you start defining them individually. :)

Your gesture drawings are really nice and simple. I like how you can portray clean and fewer lines and make it look like it has more motion.

I would like to express the view on drawing fundamentals that  they are tools to help you achieve what you ultimately want. I say that in referring to whether or not you should move on to the bean. The bean imo is far more simple than doing a gesture of an entire person, however, it is less explanatory. It’ll help you think in the most basic aspects of three dimensional form while maintaining the simplicity of gesture.      I would suggest going back and forth between the two concepts trying to add what you learn from each to the other. This is what you should always do, especially as you get more complicated with the concepts you practice.  You could always try to do the bean for the torso only and a lined gesture for the limbs and head. Practice to make each concept make sense to you. Think how it could help achieve your goals, even if it’s as simple as making your lines have the same quality as someone’s work you admire. Don’t move on arbitrarily.

Hi imnate! Sometimes you forget to locate the shoulders and pelvis, which are crucial both for indicating the pose of the bust and for correctly placing the arms and legs, preferring instead the contour. You don't need to worry about proportions or representing the thickness of the limbs. First of all you need to learn how to correctly represent the gesture, understand the structure of the body so that you can set up a solid base on which to build the body (when you have the necessary knowledge to do so). I understand the anxiety of drawing figures that look as finished as possible, but by concentrating on things you haven't yet been taught you are distracting yourself from what is really important right now: learning to identify and draw the gesture correctly. It may seem repetitive and boring but, believe me, it's fundamental, one of the most important things, so don't worry about proportions and limb thickness, concentrate on what the exercise requires of you. First of all identify the main line of action that determines your body posture. On this you should ALWAYS identify shoulders and pelvis, their inclination and position. After you have correctly drawn the pelvis and shoulders you will already be able to guess the pose of the torso and have the correct starting points for drawing the arms and legs. When drawing the limbs always remember that although they have a fluid shape they are not scarves that move freely in the wind but have a rigid structure inside (the bones) so they have a fluid but also decisive gesture. Don't be in a hurry, observe well before drawing. If you are not happy with the sketch of a pose, try drawing it again, you will understand better what you are observing and drawing each time. I tried to redraw some of your poses, those that had the reference and some that I tried to guess. Next time, if you want opinions, try to include all the references and post a slightly higher resolution image, this one was really very small and I struggled to interpret what I was seeing in some cases. I hope I explained myself well and was helpful. :)

I agree with @Dylan Gabriel. I did two gesture base on you example. These are my interpretation of what they could look like although it could be better. What I know is that as I continue to learn more in this fundamentals course, my gestures, your gestures and others’ gesture will become better. keep up the good work🥇🧨🥇

Hi imnate! Great clean lines, the problem is that you don't consider the body as a whole but as separate parts. You always draw a separate line for the spine but here what you are doing is not representing a skeletal form but representing the gesture, which is fluid and continuous. Ideally you have to identify the line that runs through the whole body (in rare cases this doesn't happen but most of the time it does). Usually it starts at the neck and crosses the whole body to the ground in a fluid C or S line. On this line you have to identify the position and inclination of the shoulders and pelvis: it will be enough to represent them with two line segments or, having more time, with two boxes. On the pelvis and shoulders you insert legs and arms that you represent with fluid C or S lines (they are almost never straight lines). Pay attention to the reference, study it well at the beginning, the speed will come with time: often the arms or legs are connected in a single movement. In the case of, for example, dance steps you may notice that the connection may be between a leg and an arm, in a fluid way. The body moves in a harmonious way, no part is disconnected from the others. The head, therefore, is also part of this harmonic pattern. :)