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ozolinevita
•
1yr
added comment inProject - Line Master Studies
Asked for help
Hi! I studied Glen Keane and his works from "Nephtali". As I could notice his outlines are more darker where the shading is needed and lines are pretty confident. I studied two of his works and here is attached one of them and my interpretation of it.
As always, any critique will be much appreciated :)
•
1yr
Beautiful job! Really nice interpretation!
ozolinevita
•
1yr
Asked for help
Hi! I'm level 1 but tried to draw level 2 assignment. I drew a lynx using 3 photos- a lynx photo, dog with big ears and a maine coon with fluffy tail.
I think I tend to draw over the same lines, so I don't have a lot of sketch lines. I tried to delete the lines and do them one more time but I ended up starting to smuge the page. And head of the lynx is too small I think.
Would be happy on some comments/ critique:)
ozolinevita
•
1yr
Asked for help
Did also additional drawing. I struggle with my sketch lines. I tend to mark them and contour them too much. I liked the photo of this girl, so tried to draw and simplify that. I am beginner, so this was quite challenging for me. I focused on girl not the stones. Would be happy on your critique of my lines.
ozolinevita
•
1yr
Asked for help
Hi! Did my assignments on level 1. Any critique would be appreciated:)
Hi! Thanks for sharing your work. The foreshortening of the boots on the vrgirl looks very good to me. it gives great depth
ozolinevita
•
1yr
Asked for help
Hi! Did also level two drawings- camel and skull. It was quite the challenge. Ready to receive your critique:)
I really love how simple and polygonal your snail looks. It's like I can see each induvial pencil stroke.
ozolinevita
•
2yr
Hi! Here are my drawings of "simplify" made in the following order:
1. Pear
2. Mens portrait
3. Woman portrait
4. Raccoon :)
Would be happy for some feedback on assignment 1.
•
1yr
For #1, I'm impressed with the refinement and control of your shading (especially the raccoon whiskers :0 ), but the pear could use the simplification of values into shapes rather than soft shading-- #2-4 show a good understanding of this. Additionally, the true shadow only starts towards the edge of the right side in the drawing, whereas in the photo reference it starts closer to the center and even slightly left. Remember to capture the roundness of the form when both mapping out the proportions and delineating the shadow edge's curvature.
One thing I'd like to add is for #4--don't be swayed by the idea of the local color. Because the right side of the image is in the shadows, everything in that section will be darker. This includes the white patches, which will now be a value closer to the middle of the value scale rather than pure white.
Hope this helps! Keep up the good work :)
