Activity Feed
Brad Clement
•
11mo
added comment inMy Workspace
I’m having trouble finding the brush pack that “comes with this class” - see 2:55 in video. Thanks in advance.
Brad Clement
•
2yr
Asked for help
Attempt at learning from David Malan’s drawing “Natalie”. It quickly became clear that I could not maintain any semblance of the expression he captured in the hair by trying to meticulously copy every pencil stroke. So I tried to keep the “spirit” of his approach -even if much less skillfully.
Brad Clement
•
2yr
Stan, would you please elaborate on what you mean by rhythm? I’ve heard/read several artists refer to rhythm in very different ways. In this video I take your comments to mean that finding a rhythm is finding a line that shows a gesture, but that this line becomes lost and found - so the eye follows the gesture but has to do a little work to connect its parts, thereby making the drawing more engaging for the viewer’s mind? Am I close?
Brad Clement
•
2yr
Asked for help
Here are my level one attempts. I’ll go back and try these again after watching Stan’’s demo - I know I failed at the loose sketching approach - but I tried. For the VR girl I included the first gesture sketch that I did - I defined the drawing’s envelop, found the midpoints of the figure (vertical and horizontal, but then didn’t do any more measuring - I just tried to find the right shapes to fit on the gesture.
Brad Clement
•
2yr
Spent a couple of hours sketching in a coffee shop with the Asheville Plein Aire painting group (in the winter we move indoors). Worked on line quality (still got a long way to go) and saying more with less….
Brad Clement
•
2yr
One of my own hiking boots. Perspective of the toe seems a bit wonky, but to be fair, I have pretty small feet.
Brad Clement
•
2yr
Asked for help
For those of us struggling with the boot laces, maybe this internet dad joke will provide some levity: I bought some boots from a drug dealer. I don’t know what he laced them with, but I was trippin all day.
Simon White
•
2yr
Asked for help
The shot of the camel was more of a complex structure so I found myself firstly roughing in the big shapes and gesture lines for the legs etc. The head itself, I decided to try and draw a box to help me figure out how to break the shape down, noticing the planes of the head that I could see, a bit of the front plane, the side plane and the under plane. This turned out to be really helpful in helping me to place the features.
Brad Clement
•
2yr
trying hard to simplify with CSI, but some part of brain always seems to take over and start squiggling,