Working from Home – Draftsmen S2E00

Draftsmen Podcast

Season 2(36 Lessons )
Episodes

Working from Home – Draftsmen S2E00

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Mark as Completed

Working from Home – Draftsmen S2E00

68K
Mark as Completed
Stan Prokopenko
Draftsmen is back with Season 2! Marshall and I filmed a last-minute episode to talk about all that's been going on the past month and what it's like working from home
Newest
Steffen Anzivino
Asked for help
I, for the life of me cannot remember which podcast I heard this in, and I have listed to three of them a second time and give up on looking for this: does anyone remember a suggested book, I believe it was by Stan, that was said to give some insight on the process of figure drawing? Specifically stating that this book, apart from others, shows the authors PROCESS. I have trouble knowing what to do next, gesture vs structure. I know that Steve Huston likes to start with gesture and follows with structure, calling it G1S1G2S2. min not really looking for a sacred formula, I just want to get inside a good artist head to find out how they have disciplined themself to think, how to approach a drawing. sorry it’s so long, thanks.
Jesper Axelsson
It might be -- What Are The Fundamentals? Draftsmen S1E04 --Stan mentions Glenn Vilppu´s Drawing Manual. Maybe that´s the one? Or maybe Andrew Loomis´s Figure drawing for all it´s worth. I´m not a master, but maybe this answers your question about the process: I start with gesture, trying to feel the pose, the energy and the effort the figure has to make. BUT, I am feeling it, drawing it, in space. I am not really constructing but I am aware that the gesture lines belongs to 3d forms. I am aware that what I draw takes place in space.  When working from reference it´s easier to make proportional corrections when you only have a few gesture lines. And when working from imagination this is a great way to establish a natural pose. And to make it more 3D, yet still being at a very gestural stage I like to start sculpting the volumes. Wrapping energy lines around them, trying to feel the mass. This might be enough for a quicksketch. But if it´s tricky perspective I then redraw it, now starting with boxes to figure out perspecitve. This order is not set in stone. Sometimes starting with a boxy robo bean is the best way, or a cylinder for the leg. Though, even if I´m drawing structural forms i try to make them gestural, either by bending them to follow the gesture or just be aware that there is a rythm between the boxes. I recommend watching Mike mattesi´s 3 part series https://prokolab.com/lesson/improving-line-quality-and-rhythm-force-series-part-1/discussions And this Glenn Vilppu video might help too https://www.youtube.com/watch?v=pa_2rL1K1mg Hope this helps!
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Founder of Proko, artist and teacher of drawing, painting, and anatomy. I try to make my lessons fun and ultra packed with information.
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