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Steffen Anzivino
Steffen Anzivino
Calgary, Alberta, Canada.
Born and raised in Baton Rouge, LA. Married. Moved to Canada where my wife is from. Learning to draw has been an incredible, eye opening experience.
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@ryansulaiman
I just started this course a few days ago and tried some 2 minute gesture sketches. I would appreciate any feedback or criticism on my work so far.
Steffen Anzivino
Hi, just wanted to give my thoughts. I find it easier to cut references in half in my head and start that way. That helps with proportions. And try to avoid () types of shapes. The snowman effect is strong. Keep those shapes moving. Think of water inside your shapes not having to turn too tightly unless there is a lot of tension. (You can download the image, it is high resolution)
Văn Hiếu Võ
Here are my submissions. Looking forward to your critique.
Steffen Anzivino
Did you ever get a critique on this one?
Jared DiPietro
Hey D Sirus, awesome work you got here! I really enjoy the pose of the titan. So much so I decided to sketch it out while on a phone call this afternoon. I'm sure I made plenty of mistakes but it was a fun exercise! I like the gesture of yours a lot more, especially the pinch in the stomach where he bends. As for critiques, you've done a great job with the gesture, perspective and anatomy. There are just a few small things that stood out to me. For Hanami, I think that the forearm could be a little longer. I tried placing some 3D Models/action figures in a similar perspective and it seems that at that angle the hand usually ends up somewhere around the knee. For the Armoured Titan, the main thing I noticed was position of his left (On the right of the picture) triceps. Your insertions and origins all look pretty good, but you need to keep in mind how they muscles stretch and squeeze during movements. With a bent elbow like that the triceps should be stretched so that it's peak from this angle is almost at the center of the upper arm. I included some examples of Bodybuilder Frank Zane, it's not the perfect angle but should give a good idea of how the shape of the triceps changes. For his right arm, at that angle I think there should be more of the triceps/bicep brachialis popping out the lateral side, and maybe a little less on the medial side. The insertion of the bicep may need to move medially slightly, but I'd see how it looks after adjusted the triceps/bicep brachialis. As a last note on the muscle movement, both biceps seem a little soft/noodle-ly. Since they are partly contracted it's a great opportunity give them some structure with some straights, especially around where the tendons would be. I love a lot of your shapes for the muscles, especially the deltoids. If you added a few more areas of tension/structure it would give you a real nice balance. Other areas this could be applied are to the box of the wrists, and the knees. I can tell that you were thinking about the forms of the knees, but I would recommend emphasizing the boxy forms perhaps a little more than you would realistically see. Particularly on the lateral side of the knee coming towards us, the lateral epicondyle, knee cap and lateral condyle all provide opportunity for emphasizing that structure and boxiness. My last comment on the leg, is to be careful not to lose the gesture on the outside of the quad. There should be a nice straight from the IT band near the knee, and then a gentle curve from the Vastus Lateralis. I've included an example of some knees and roughly highlighted the areas that I'm talking about. I can't comment too much on this, but it seems that his right hand is bent a little too far toward us. I know the hand, or at least my hand, can't move near as far towards the radialis as it can towards the ulna. I want to end with some praise, because I really do think you did a fantastic job. I really like the shading and core shadows on Armoured Titan, and the perspective of Hanami is super solid. I can b e a bit wordy at a times, but I hope that my thoughts prove helpful. Don't take them as gospel, but rather consider them, analyze and come to your own conclusions. I'm excited to see what you do next! I imagine Todo would be a fun one for anatomy.
Steffen Anzivino
Had to comment on the feedback here. @Jared DiPietro. You put a lot of time and attention into this. Thank you.
Alexey Skliar
My subbitions for odd bot challenge. First time proko challenge and first time drawing robots. Idk how they turned out in turns of oddness but had a lot of fun drawing them. Good luck to everyone
Steffen Anzivino
I love it.
Rizwan Piracha
Hi Guys, Another attempt at Robo Bean assignments (with reference photos) attached. Any feedback appreciated!
Steffen Anzivino
If I were to give any suggestions on the robo bean assignment for you, it would be to exaggerate the folds. I had a problem with this at first. I did not want to wander too far from the truth, or, the model. But I found that stan was not altogether worried about that. What is important, and what I believe is actually the point of the robo bean, is not only to develop dimensional awareness, but to get your eyes to recognize the folds, twist, and overlaps, and to make them a little more obvious in this simplification of the torso. It is an exercise for the mind. the only real obvious bend in the above four pictures are your line showing an overlap of the hip relative to the rib cage. I picked up on myself doing the same thing by pausing the video on the reference before stand draws, finishing my robo bean, then comparing mine to stans and seeing what i "saw" differently, or what I did not see. It is easy to tell yourself that you initially saw the bend, or the overlap or twist, but if you did not draw it, you may not have thought it too important. But with far less detail than that reference is giving us, we have to simplify the reference, and make the gesture, or the perspective more obvious. That is why you will find that @Stan Prokopenko 's examples, and he says this before he starts, are extremely stylized. To me, like mine when I started, yours look more like a uniform cylinder rather than two separate objects. However, i must complement your proportions and your perspective of said cylinder. That was the hardest part for me, and a part i am still working on. I am no instructor - so take everything I say with a lot of salt. I just had to add my comment on your practice as I have been practicing the robo bean for a while and noticed that you had a quality that I critiqued in myself, and I hope you also consider that your work, the line art and the proportions, even the viewing angle of your work is superb. Again, in my opinion, for what is is worth.
Steffen Anzivino
Hi Mr. Bucci, just wanted to say thank you for being a part of proko. I hope that it is fun and good for you personally. I am 29, and have been drawing for close to 2 years now. I’m enjoying it more and more every day. And I am so much slower than I thought and hoped that I would be. I do not have a question for you, rather, I ave a few questions that i would love to ask, every time I draw. I do not know which one I would want or need to ask more. You are my favorite painter to learn from thus far. So, seeing all your responses to questions on here has been really neat for me. I have found questions asked that I did not know I would have asked myself. And you give meaningful, well fleshed-out responses. I have taken enough screenshots to spend any number of weeks practicing each response and suggestion. Anyhow, as you sit at your computer reading these questions, I just wanted to take a moment to send out a big THANK YOU! No need to respond to this post, I’m sure reading this much has taken enough time, I just wanted to express my gratitude and excitement. Please keep at it, there are a lot of people that are finding joy and inspiration from your work and attitude.
@lboniver
Hi your a big inspiration to my art and I just wanted to ask why is my skin so crap like I try really hard to paint digitally and get skin right by it just doesn’t seem to work and I really take huge inspiration from the Instagram painter @gio_utti and you Ofcourse and I don’t know what I can do with my paintings for them to not look so flat
Steffen Anzivino
May or may not help, but Marco did a head painting tutorial on YouTube with proko. https://m.youtube.com/watch?v=kYtGh2xTAlg really helped me.
Steffen Anzivino
Found @Marco Bucci because Stan did a quick video with him for Christmas. Started with a rendition of a Christmas song. Automatically liked him. I however had no interest in painting. After that video I thought it was something that perhaps I could do. Maybe I wasn't interested in painting because I was intimidated by it. Now, now I want to paint. I have gone through his 10-minutes to better painting. I won't ramble, but I am getting this course for fathers day. I am stoked. If you read this comment Mr. Bucci, thank you for being passionate and fun. Am I am glad that you make an outstanding effort to teach in a way that communicates what you want to say very well. I'm not sure if I am learning well, but when I watch your videos I really FEEL like I understand well. I was beside myself to discover you were going to be on proko offering a course. All in all, thank you.
Marco Bucci
Thanks a lot, Steffen - super happy to hear you're enjoying the lessons :)
Steffen Anzivino
Thank you for your time. I enjoyed the video and take it to heart. I hope to see more video's from you in the future. I really enjoy your work.
Stan Prokopenko
Congratulations to the winners! This ended up being one of my favorite challenges so far. We definitely need to do this prompt again once we launch to the public. Every submission was really good and choosing winners was difficult. Here they are: 1st - @Tarek Khazendar 2nd - @Steffen Anzivino 3rd - @fyll Community Choice - @Joe Watson Team Choice - @Mathieu Dufour Science Award - @Side Shave Laura Gingrich
Steffen Anzivino
What what!!! Never thought I would win a Proko challenge!!! I thought all of the post were fantastic. This was a lot of fun guys. Thanks @Stan Prokopenko for these challenges. They keep pushing me, it is surprising how the variety of challenges that you have hosted have caused me to try something that was intimidating and I found it to be satisfying. I would not have tried without the challenges. It is also an incredible tool to see the class of peers that I can struggle with and learn from. All in all, a huge thank you for these things.
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