The Shading Course
Welcome
Module 1 - How to Separate Light & Shadow
Module 2 - How to See Light Effects
Module 3 - How to Control Values
Module 4 - How to Organize Values
Module 5 - How to Create Realistic Shading
Module 6 - How to Use Light Probes
Module 7 - How to Show Form
Module 8 - How to Invent Shading
Module 9 - How to Use Maquettes
Module 10 - Bringing it all Together
I'll be demonstrating the complex AO study again, this time in Adobe Photoshop.
Newest
@marq777
10mo
question. Are all of your marks with a soft brush like an airbrush or do you use some hard brushes as well?
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4mo
It looks like he definitely gravitates almost entirely towards soft brushes for this assignment, especially because occlusion shadows are very soft and diffused. However, it does seem like he sometimes uses a harder brush when blocking in the light grey base that goes before any shadows, and uses the lasso tool to provide a hard edge for some shadow crevices before going in with a soft brush.
Course by Michael Hampton
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About instructor
Former program director at Barcelona Academy of Art. Passionate about teaching craft and exploring the inner game of art.
