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Alexander
Alexander
Saudi Arabia
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Alexander
Hi all! Hope you enjoy these studies in gouache - they are of some photos I took when I was lucky enough to visit the Falkland Islands. A beautiful place with variable weather - the locals say that there can be "4 seasons in a day!".
Janna van Vliet
Nice theme! And I love the set together.
Alexander
My lay-in and shadow map of Morgan. My main goal was to get proportions correct and create the illusion of form turning. I don't plan to render here, instead moving on to do more lay-ins. Any advice or critique is welcome.
João Bogo
3yr
NIce job. This show a lot of improvement. The proportions are sound and the values are holding much better even though you don't plan to shade it. I agree with @Jesper Axelsson about softening come of the the edges. Shadow mapping is about separating the light from the shadow but is also about indicating the hardness/ softness of an edge. If you are in doubt, you can take a look in the work of Brian Knox https://www.instagram.com/brianknoxart/ . Observe how even in the simplest of lay-ins you have variation in the core shadow, soft edges, hard edges, and the drawing communicates well. Another thing is to seek more variation in the design of the shapes in the shadow. For example the hair. I think you're using too similar curves and round shapes. Try varying the spacing between the highlights and mixing squares and triangles where you can. Keep Drawing and best regards
Jesper Axelsson
Hi @Alexander Nice study! I think you succeeded well with the proportions! It would be nice if you add some dark halftones to soften transitions (in other words: giving more variation to the core shadow), if your goal is to create the illusion of form turning. I hope this was helpful :)
Alexander
Hi all, this is my drawing of Nicolai. I used 2b pencil and black polychromos. I don't think I wrapped the mouth around the tooth cylinder enough, and the eyes may by a touch too small/far apart. The head is elongated too, maybe I'm defaulting to the "standard" loomis proportions? I think I did reasonably well grouping the shadow family on the side of his face, but the shape of the shadow in the nose-eye area could perhaps read better? Can anyone else provide some feedback or critique please?
João Bogo
3yr
The general problem that i see is that you're not modelling enough on the light and you're not think about your values as a whole. I can see you did a good job on the 2 value stage because the thumbnail looks good. The problem is when I zoom in everything in the light looks flat. I would like to you to make a few value studies of this portrait. Try to simplify everything in 5 values (3 light 2 dark). Look for the halftones in the light closer to the shadow because they are the ones that describe better the turning of the form. Also have always in the back of your head the value hierarchy and always question yourself on how can you describe the forms of the nose, mouth eyes...with value. Also try filling your background with a darker value first. You'll help you judge better the values inside the head. About your concerns on proportions, well...the Loomis head is an idealized version of a head. In most cases you're gonna find deviations. The proportions you used are within the human realm of possibilities, problem is that the model has a wider head than average. Whenever you're doing a portrait you have to adapt the loomis proportions to get more likeness. You can also decide to make an idealized head of that person which is fine also, but make that choice consciously. Keep drawing and Best regards.
Alexander
Thanks Irshad for showing me (and probably many like me) that there is a structure and format to progress as a beginner. DAB was a light during grim darkness of the pandemic, converging parallel lines into space was my therapy - thanks a million :)
Irshad Karim
I'm glad to hear that, and I'm happy to have helped.
Alexander
Jason Greenwood
Is there like "base level, total beginner, might just hurt himself with the pencil" lessons/techniques to start off with? I can barely draw stick figures, and I'd like to get better, but there are SO many places to start (or so it seems...)
Alexander
4yr
Start with lesson 1 - you'll avoid hurting yourself with that pencil ;) Proko - Figure Drawing Fundamentals Search for it in your classroom tab ;)
Alexander
Alexander
4yr
added a new topic
broken links
These 2 links to other force videos are not working. It would be nice to have a forwards/backwards button to jump between part one, two and three. That would improve navigation.
Alexander
Hi all, I have recently been doing the NMA love drawing series on YouTube. They start with about x5 1 minute, x5 2 minute and then x2 or x3 5 minute poses usually ending on a 10 minute pose. I have been trying to keep the 1 minute gesture marks in every pose, using the extra time that is given in longer drawings to them adding form (around the 2 minute mark) and then able to look at the core shadow in the 5 minute drawings. 10 minutes allows me to try and show some of my limited anatomy knowledge with indications of landmarks! Are there any themes that you can see that need attention as I continue with this format of drawing in my lunch breaks? Thanks so much in advance for looking at my drawings!
Jesper Axelsson
Hi Alexander,  Overall these are all great! Strong gesture and the figures are balanced!   I noticed some things that might help:   GESTURE   I think you would appreciate watching Mike Mattesi´s 3 videos on the Force method ( https://prokolab.com/lesson/improving-line-quality-and-rhythm-force-series-part-1/discussions ) I like to think of how flow is being pushed from side to side like a stream of water. The basic gesture (like stan does in 30 sec poses) is very strong in your drawings, and I think that is what brings much of their success. But that gesture could be helped even more by the extra lines you add in a longer pose. Watch out for symmetry since it can kill the flow.   SHADING I would suggest giving more variety to the core shadows. Does the form have a soft turn? Is it large?:  Make a wide soft core shadow. Does the form have a sharp turn? Is it a smaller form?: Make a thinner sharper core shadow. Try to improve the shape design by varying their length and bend. Watch out for making a bunch of similar c curves. Counter straight lines with curved ones and long lines with short ones You could also push the core shadow slightly to help the gesture   Hope this helps :)
Alexander
I had a steep learning experience with charcoal on bristol board - doesn't work, the charcoal just falls off! I stretched bristol board and toned it with water soluble graphite stick. The resulting study is a bit grey overall. I should have spent more time lifting light tones? His left thigh looks flat, head big, traps maybe too exaggerated? Watching the graphite dance through the water was amazing though!!
Liandro
4yr
@Alexander Very good drawing and pretty cool technique! If I were doing this, I don't think I would spend more time with light tones. Honestly, I really like this value range you worked with, I guess a lower contrast gives the drawing sort of a "lightness" and "sketchness" quality that I personally enjoy. And I wouldn't correct the things you mentioned about the anatomy, it looks fine to me. However I think I'd soften those little dark dots on the background, I think they've become kind of a distracting texture... but I'm not familiar with the technique you used, so I'm not sure you might have had any control with that. Anyway, looks like a good job overall!
Alexander
I did these in the way that Stan suggested, have a go, watch how he did it, then analyze the drawings . A day or so later I would try again without looking at my past drawing, and covering up the side of the video with Stan drawing. I think there was improvement overall, especially as I was trying to doodle "mannequin parts" in my lunch break, pipes and joints to try and think about perspective etc. Any feedback to progress my drawing would be appreciated!
Liandro
4yr
@Alexander Just keep practicing and moving on with the course! You're doing very good up to now. As you move on, keep watching out for proportions.
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