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@harrow
•
23h
added comment inDemo - Measure Proportions
I don't have the tools to do an overlay but I think I've done okay. I got a bit frustrated towards the end so I ended up eyeballing more than I probably should have.
My biggest frustration was how to block in the nose.
Blex
•
2d
tried with a new portrait, and this broke me, i just cant maintain the distance with only a pen, tried to simplify as much as i could in hopes it would help but no, i'm giving up for now. gonna try to attempt the photo he used in this video and see if i can do any better, but for now i just feel defeated
I find it much easier to measure with something thinner like a knitting needle. I'm currently using the skewer from some gas station chicken teriyaki.
@harrow
•
8d
Asked for help
I'll have to try this some more because I'm not really sure I get it. I had to have the video up as I did it
@harrow
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26d
Asked for help
This was fun and I think it finally clicked for me with the last few drawings. I'm not sure I really captured the idea of the lesson with the koala drawings but I think they turned out very nice nonetheless.
I forgot to save the references for the snake and the last bird. It was supposed to be a hawk but it ended up looking more like a seagull to me
@harrow
•
1mo
Asked for help
This was a fun exercise. I'll definitely come back to it again.
I found it surprisingly hard to find good drawings to work from. I don't have ready access to art books at the moment so finding good quality drawings suitable for the ex3ercise was hard.
Anyway, so far I've studied a few of Dave Malan's and Glen Keane's works.
Takeaways:
I suspect Dave Malan uses a mechanical pencil for a lot of the lighter hatching. The lines are all very uniform in thickness and value. In fact that seems to be the case for most of his line work that isn't hair. He uses darker, wider lines combined with hatching to show shadows and heavy lines on their own to show contrast
I wish I had the confidence of Glen Keane. Even his squiggles have more purpose to them than my deliberate work. He build up his heavier lines from multiple passes and he uses heavier lines one the more mobile parts. Outlines, key facial features and so on.
I'd like to try to draw either an animal or something mechanical so please post below if you know an artist whose work would fit.
@harrow
•
1mo
Before and after watching the demo. It's an improvement but I'm still not sure I quite get it.
I tried to show contrast with line value and shadow with line width but I don't thin I quite succeeded. I'll have to come back to it again at some point
@harrow
•
2mo
Before and after watching the demo
Using a softer pencil and treating the lines more like shapes made a world of difference
Ingrid S
•
2mo
Asked for help
I wasn't sure how to tackle this assignment to be honest. I definitely need to watch the demo !
The big takeaway for me after watching the demo was to use a much softer pencil and to draw the lines much thicker. Almost like they're shapes in and of themselves
@harrow
•
2mo
Asked for help
I'm honestly not sure if I'm doing this correctly. I'm off to watch the demos
I watched the Hierarchy of Importance demo and man did it make a difference.
I think I was going the right way with my first attempt but I wasn't using anywhere near enough line variations.
I used a much softer pencil this time and it helped a lot. The first one was done with a 2B and this time I went with a 6B and the amount of expressiveness it brings is hard to overstate.
I have a 12B pencil kicking around somewhere so I might come back and do it again just to see if it makes as much a difference.
@harrow
•
2mo
Asked for help
I drew a grumpy squid.
I honestly think this is a much better exercise for learning sketching than doing it from existing drawings. At least it is for me.