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Full course
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$145
First go at the mirroring assignment. Just drew a simple grid then took measurements from the existing side to the nearest grid line, then eyed in the rest. Got a little lazy near the bottom.
Hi Morgan,
I am tackling this course by going through it with pastels. It's the reason I'm buying it. I'd like to bypass all the oil paint process and harmful side effects. I really take to your point of view on the pastels. Can you please help me get set up with the materials I'll need to get started? Thanks in advance.
Hi Morgan, What paper surface are you using for your pastel demonstration in your portrait painting course? It looks like newsprint in the video but I'm curious as you are still able to build up in layers.
Thanks!
Chris
Dear Morgan, people usually use a warm red like cad red light for the Zorn palette. Can you explain why you chose Alizarin Crimson which is a cooler red? Of course it's closer to ketchup ;-)
Here’s how the painting turned out. I used only the four colors and six values.
I’m watching all the videos and then going back and doing the lessons. However, I applied the grid to a thing I’m working on for Christmas and liked the results. It’s not perfect. The charcoal was too fat. Lesson learned.
Hello! I am Just starting this course and I am wondering if there is any particular order we should do the classes- I see that there is drawing and pastel toward the bottom. Do you recommend jumping in to the lessons in order as posted or doing drawing/ pastel first? Thanks - I am looking forward to learning from you- you seem like an excellent teacher.
Hey Morgan, can’t say how much I’m already learning with your course. It’s just awesome! During the Dark values lesson, you explain you use a little bit of your medium (gamsol+walnut oil) to help the paint to flow in order to draw with the soft brush. Do you have any advice for a good replacement if I want to stay completely away from any solvent? Would the walnut alkyd medium from M. Graham do the job or are it’s properties too different from what we are looking for here?
Thanks a lot,
Florian
Thank you Morgan and Proko.
A suggestion. If Assignments can be added after each section (if not already done), it will be really helpful for the students.
Hey Morgan, this guy called Marco Bucci keeps telling me to study your work and it swayed me to buy the course. I’ve got pastels and charcoal but I can’t work in oils any time soon because I have a toddler on the loose.
I am hoping I can get by with gouache - any thoughts and tips on how to make it work?
Morgan replied to previous comment that gouache is similar and he learned oil painting by first learning gouache. Hope it helps.
Can you please tell me which basics materials I need for this course ? Where i live, it is a little difficult to find art supplies.
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2mo
PAINTING WITHOUT A BRAIN WITH MORGAN WEISTLING
MATERIALS LIST
These are the exact items I use in the course but you can use whatever brand you might otherwise be comfortable using
I get all my paint supplies from Dick Blick except the storage cups
Paints:
I am using all Winsor Newton Oil Colors of these four colors:
Ivory Black
Alizarin Crimson
Titanium White
Yellow Ochre Pale
If you want to buy a Cobalt Blue it might come in handy. But it’s not necessary
Brushes:
I am using Dick Blick brand Masterstroke Finest Red Sable FLAT LONG HANDLE
The sizes used in the course are:
1-7
You will find that as those get towards the larger sizes they are very pricey. It’s not a requirement to be able to follow along in the course and if you want to use cheaper synthetic brushes that is fine. But I do caution you that the reason I use these is because they last longer and keep their shape better under heavy use. Cheap synthetics will lose their shape pretty quickly.
It’s also recommended you get a 3/4 inch brush for large background washes but it’s a waste to buy something expensive for that. I use cheaper synthetic for that. Just make sure it’s long handle and a flat. (Not a bright)
You might wonder if I would be using any bristle brushes. For this course I will not be recommending it. There is a time and place for them but not in a beginning painting course. It’s a clumsy weapon and not as elegant as a light saber.
You will need a palette knife for mixing. Just a small one. Big palette knives are useless.
Mediums
You can use whatever mediums you like but this is what I use:
M. Graham Walnut Alkyd Medium
Gamblin Gamsol
I mix these two together to produce my medium
Any kind of small tin cup for mixing our medium in.
Any Jar or Turpentine jar for washing our brush after each stroke.
I do not use Turpentine or Terpenoid or Mineral Spirits. All are toxic and since I have to keep that open the whole time I prefer to not breathe that all day. So for the last 18 years I have used Straight Walnut Oil from Amazon. I don’t buy the Graham one because this is just used for cleaning my brush between mixtures. It’s not important to be of some special grade. I buy it in a gallon container. It will not say it’s an art supply. It’s used for cooking.
Having said all that, you can use whatever you want. It will not affect the painting process. Most artists these days use straight Gamsol, which is the least harmful of mineral spirits. It’s your choice.
Storage cups to preserve our average mixtures (a must)
Hobby Lobby sell CURATE + Colour Small Storage cups- 8 pack
Painting Panel:
Dick Blick Premier Belgian Linen Acrylic Primed Medium Texture 12 x 16” boards are what I will be using.
You can use cheaper canvas boards so long as they are acrylic primed.
The gesso I use is Blick Professional White Gesso. You can use any other kind but this is the best consistency I have ever found. It spreads perfectly with a credit card or other kind of scraping tool. I use various cards, old gift cards, whatever you have. Home Depot sells a set of cheap plastic scrapers for paste type products and can be found in the section of glues.
For toning the canvas board we use Liquitex Basic Acrylic paint NEUTRAL GRAY 5
In the course I will talk about spray fixing my charcoal drawing. I personally use Grumbacher Matte Workable Fixative.
I also use Grumbacher Damar Retouch Varnish gloss— I spray this on my painting if I am going to paint over dry parts of my painting from previous days. I couldn’t exist without this product.
I use vine charcoal in this course. The one I use is CREATIVE MARK WILLOW CHARCOAL- THIN .4MM -5MM DIAMETER
Also have a typical sandpaper pad and any kind of kneaded eraser
In the course I will go over the how’s and why’s of these materials.
Hi, if we have any questions regarding our painting, can we ask the tutor here? I ask as i especially have trouble painting from references that have no shadows and blonde hair! I have a portrait to do and the person is looking straight at the camera and the person has a very pale complexion.
Hi, Just want to know if we will be provided with the referance photos to follow along?
How much would this course benefit someone who paints mostly in gouache?
Looking forward to getting settled in for this new adventure with a new painting style.
I've seen some of Morgan's tutorials on YT and love his teaching style. I'm excited to get started!
Portrait Painting in Oil Without a Brain