Stage 1 - Block In Concepts
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Classical Portraiture Techniques and Concepts

Portrait Drawing(6 Lessons )

Stage 1 - Block In Concepts

2.3K
Mark as Completed

Stage 1 - Block In Concepts

2.3K
Mark as Completed

Assignment

Stage 1: After watching the introduction and explanation of the materials and concepts we will use in this stage you will be ready to choose an image from the model pack provided with this tutorial. Once you have done that your priority will be establishing a simplified block in that takes the whole composition into account. Being complete in each stage of the drawing is critical to the success of the project.

Newest
Anabel Francisco
David Gutmann
David Gutmann
Could I get a critque on this portrait
Stephen Bauman
Nice one. Keep in mind as well the direction of light. Planes of the face that are facing that direction should be lighter.
João Bogo
3yr
Hi, David Gutmann So, right now the main problem of this drawing is proportion. Eyes are too big and too close to the edge of the face, nose is too small, mouth is too big and retracted, neck i feel is a little too thin. I think that studying proportion is what is going to help you the most in this moment. Familiarize yourself with the concepts of plumb lines, negative shapes, measuring and continuing angles. and practice this concepts until you have a firm grasp on them. If you have problems seeing the shapes, you can try learning the Reilly abstractions. Tracing them over the photo and comparing the shapes you drew with the ones on the photo is a very effective way of correcting your own work. Keep drawing and best regards.
Jacek
4yr
Hello, Here is my assignment. I would like to ask questions about things I struggled with. If I understand correctly in the lesson it is said to use value 2 out of 10 for the first pass. When I was putting values in my drawing I felt like I don't have different value to choose from. In the end I feel like my drawing is very flat in comparison to Stephen's drawing which look 3d even in the first pass. Am I missing something or I misunderstood what was said in the lesson? Another question is about hair especially the place on the neck in the left part of the photo (Olilvia_11). In that area the hair split and you can see the neck, the background and lots of strands of the hair that have both dark and light values. I had no idea how to appraoch that area and it stands out in the drawing :). How should I approach that area in this stage of the drawing. I would appreciate any other feedback. Thanks!
Jo Sheridan
I am also doing Stephen's course and I had to start again when I had rubbed out so much on my first attempt that I ripped the paper! Second time round was better, on better paper, but like you I was being so timid with my values that it all looked really flat - key for me was to reach for much softer pencils - I blocked it in with a HB, but then ended up using I think a 4B in the darkest areas. I know Stephen just keeps adding more and more layers of harder pencils, but I wonder if he has different paper that makes that more effective. Using softer pencils also removes the temptation to press too hard, so you avoid it getting too shiny that way too. Sorry to say I am no expert on hair, but concentrating on value and shadow shapes seemed to work for me.
Bradwynn Jones
Hi Jacek! Great work so far! In total transparency I haven't watched the entire video course yet but have watched the first phase and then skipped around in the later phases. Flatness: I think that flatness is due to your initial line drawing (lay-in) got washed out by the value phase. It looks like Stephen brings the line drawing up along with the values as he is working so that lay-in remains to help guide the placement of values and keeping the 3d look and head structure in place. I think if you went back to reestablish the construction lines in your drawing and some edges it will bring it back to life and look 3d more. Hair: try to look at the big shapes only at this stage of the drawing. Also the photo reference has her hair in an odd kind of shape anyways so I would design the hair shape the way I want it to look vs being exactly like the photo. There are those two countering strands of hair that look kind of symmetrical to each other and it's killing the flow of the hair. I'd just fill it in to make the hair look thick and full on the back for example. Proportions: Double check the vertical and horizontal alignment of the mouth, eyes and nose before moving forward. Make sure at each stage of a drawing that all the features are still on a similar horizontal tilt. Really good work and I can't wait to see the finished work! Tag me when you post it so I can see!
Amanda Rutledge
I’m very excited to go through this course, however, is there anyway to download the videos? My internet is not the greatest and is constantly causing the video to stop and go and it’s just a bit distracting. If not oh well, just figured I’d ask! Thanks!
Edward Plamondon
I would also like the chance to download the content, due to a slower internet. Thank you.
Stephen Bauman
I think that it is streaming only... Best to check with Proko support.
Andre Camargo
Hello Stephen, I am really excited about this lesson. I still have a lot of stuff pending in the other courses that I have been working on for the last months, but you have such a nice and fresh way of teaching and guiding me through your thoughts, that I want to give it a try! You mentioned the provided references for the first part of the assignment (positioning and arranging the image). Where do I find them? I searched this class, and other areas as well. Am I missing something obvious? Best wishes from Germany. Andre
Stan Prokopenko
Good point, I just added the reference images to this lesson as well. So, you can just click on the downloads tab on this page.
Stephen Bauman
Hi Andre, try clicking the "Classical Portraiture Techniques and Concepts" tab at the top of the right hand column on this page- that will take you to the main course page in which there is a downloads tab. The images are there.
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