Lighting Study for different moods
3yr
Francesco Crobu
I did the study of a photo as a starting point, then I tried to change the atmosphere to convey different types of emotions.
Any critique would be welcome!
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3yr
Hey, @krow! I love these! The paintings definitely have each one their own mood, and their distinct intentions feel clear. Nice job! And it reminds me of this project by Asia Gondek: https://www.artstation.com/artwork/59K6O
I see @Steve Lenze and @paper have already given some helpful comments!
I think Steve’s argument to focus on composition is certainly the most fundamental point in all this: using value to create intentional constrasts and, through it, lead the eye across the image. If you needed a subject for the next steps in your studies, it could be it.
On that, as a suggestion, I think this series at CtrlPaint, even though it’s about rendering, also has some insightful tips about how to approach value: https://ctrlpaint.myshopify.com/products/basic-rendering-3-realism
And if you’d like something more in-depth, I’d recommend looking up lessons by Bill Perkins at New Masters Academy: http://www.nma.art
Hope this helps!
Thank you very much Liandro, both for the advice and for the resources you have provided me!
Hey Krow,
I like what your doing here, creating different moods. As I look at these, some things become apparent that could be done to make these stronger.
#1 Making the opening in the door is good, it creates contrast to draw the eye there. The problem is that your lightest elements are concentrated on the left of the image causing me to want to look there.
#2 The only place my eye goes is to the ground in front of the door. I didn't even realize there was a figure in the doorway.
#3 There isn't enough contrast to draw my eye anywhere in the image. It becomes about the light rays (which are cool)
#4 The last image is the most successful. The area of greatest contrast always attracts our eye first, this one does that well. Even the shadow on the ground leads the eye to the figure in the doorway.
Mood is important, but it doesn't do any good if people aren't looking where you want them too. Always thing composition first.
Thank you so much for these valuable advices Steve!
For the second image we can say that that was the intention!! Let's say I was trying to make the ambiance illuminated by a flashlight pointing at the ground.
in such a way that the eye first sees the door then sees the legs and understands that in the darkness there is a monster. (This for a Horror mood)
Anyway, I thank you again for the time you dedicated to me giving me some important advice.
I will definitely make corrections with these things in mind!
Pretty good!I think you have a healthy balance of soft and hard edge in all this painting.I guess if I have to give a critique is that the painting on the bottom left,the one with the stone road,I think the perspective is a bit skewed.The rocks feel like it should be a bit more flat,like it shouldn't feel that titled down (if that make sense)
And I guess the second would be the bottom right,particulary how the shadow of the person is a bit too hard edge and it feels like it's distracting from the man in the hallway.
Well that's all I got,I don't think I have more in me,sorry
