I Want More Style and Less Realism
3yr
Tony
So here is my latest portrait, this time of Evil Ed from Fright Night. I think the likeness came out accurately enough, but I’m not happy with the style. It almost looks like I took the photo and just added some smudges and effects. I don’t want so realistic a look, but I don’t want to lose the likeness, so how and where can I add more style and personal preference?
As far as personal preference, I already changed the composition, made it greyscale, changed the brightness, contrast, and gamma. I made some adjustments to a couple of areas, blurred some areas to not distract from the focal point, and added some of my own detail in the eyes. After all that, it still ends up looking like I could have just photoshopped the actual photo and saved myself hours of rendering. Any general feedback or tips to overcome these specific issues would be greatly appreciated. Thanks! 🤓
Hey there! Nice work, I honestly like the smudgy look a bit :)
The thing you are talking about really sounds like post-realism to me which was covered by @Sinix in one of his newer videos. https://www.youtube.com/watch?v=UozmOJajIgo I definitely recommend checking it out.
It is actually something I also struggle with. What really worked for me was that I started to show the structure of the body much more and started using more geometrical shapes. While it's much more abstract, it is still realistic enough.
You might also want to check out @Marco Bucci 's stuff, he balances this idea really well.
I hope I could help. Keep up the good work! :)
I think the most common approach or answer would be to learn from artists who's styles you admire by doing some master studies of their work. I believe Stan and Marshal did a video about this, calling them art parents or something.
But really, another way of going about it is to just play, experiment, and try new things, even new mediums. You may have a particular medium you want to use, but you may learn something playing with something else you could carry back over into your preferred medium. But you have to give yourself some time to just mess around and push yourself. So I guess my advice is to play and try new things. :)
Hey Tony!
The best way to inject style is to adopt "art parents" as Stan and Martial recommend. Pick artists who's style you want to emulate, wether its in their shape design and calligraphy, composition, colors, etc. Work on studying and copying there work, and you will start to intuitively inject a lot of that style into your work. Eventually it will morph into something of your own as you start to understand why these different artists made these style choices, and you start to create your own style!
Only you can answer that question. You need to find your own style that makes your work uniquely yours. Very nice work though!
I suggest you study Proko's videos on shading, which teach a solid understanding of light and shadow, instead of just copying photos. He exaggerates the core shadow, and you may or may not like it, but it is a good example of a somewhat stylized approach, with a solid foundation.
Hey Tony,
I'd say find some art parents, as Marshall likes to call them https://www.youtube.com/watch?v=vxJOjvsj3j0 :
People whose style you like and will inspire you to start making your own stylization too. You can even study an artist by trying to do a new painting in their style (not copying one of their painting but working on a new subject and doing your best to make it look like their work). This, obviously, is for studying purpose only, as you don't really want to become a clone of any one artist. Doing this exercise multiple times with a good variety of artists will lead you to think and come up with your own mix of stylistic choices.
Hi Tony,
I would advise you to use a different type of brush, not one with a round tip, and not to worry too much about blending.
Experiment a bit with different brushes and see which one gives you the result you like best.
I struggled with it for years because I couldn't get rid of the "plastic" style until I started using only two or three brushes for everything, a marker from a Kyle T. set. Webster's set, one of his gradients and, above all, the default star brush of Photoshop, which I had snubbed up to that moment considering them useless.
Using these three unlikely brushes I was able to replicate the effect I was getting when I was colouring with pencils and watercolours.
im sorry that i don't have any helpful advice and i hope that some one will help you with this because its such a beautiful piece i love it! .
keep up the awesome work i love were your going Tony. 😁👌
btwz i have not been posting because im working on my technic and ive been doing a lot of wood carving and it just so happens that i cut right into my thumb to night 😂👍 lol i wont be doing very much now other than drawing and watching TV lol maybe its not so bad after all 😉👌✌🤞