@writedrawface
@writedrawface
Earth
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@writedrawface
I could really use some guidance on twisting the boxes. No matter what I do I just can't seem to get them right. I marked all the ones I wanted to twist with an X above them. If anyone could provide some feedback I'd really appreciate it. Thank you
@writedrawface
I could really use some guidance on twisting the boxes. No matter what I do I just can't seem to get them right. I marked all the ones I wanted to twist with an X above them. If anyone could provide some feedback I'd really appreciate it. Thank you
@writedrawface
I created a wacky apartment complex with a waterslide out of window. The perspective was fun to figure out
@writedrawface
Trying to capture the twisting effect with the blobs was hard so I need to practice that more.
@writedrawface
Finding the twists was challenging but fun. I'm looking forward to seeing how we implement this in future lessons.
@writedrawface
The wheels were definitely a challenge. A good one, though. Centering cylinders in boxes can be pretty difficult. Measuring the minor and major axis was what got me. Maybe drawing these bigger would have helped.
Rachel Dawn Owens
Drawing a bit bigger might help you if you make more of these drawings. I like how you drafted the different points of the ellipses on the wheels
@writedrawface
Level 1 wasn't too bad. It was a little difficult figuring out how to portray the fingers as boxes and their perspective, but I think I got the hang of it over time.
Melanie Scearce
I can tell you were getting the hang of it. That second pose is difficult with the fingers coming towards us. When we simplify the fingers into boxes, think about how much of the planes will be visible. The more of a plane that we can see, the more directly it's facing us. Hope that helps!
@writedrawface
I'd really appreciate some feedback on these if anyone has time. I feel like I did something wrong and none of them represent the aim of the assignment.
Melanie Scearce
You want to "map" the box to landmarks of the face. Here is what a profile view looks like within the box. You can see that the top cross contour matches with the brow line, and the bottom cross contour matches up with the bottom of the nose. The bottom of the box hits the chin, and the top of the box hits the top of the head, and the corner of the front of the box is about a 45 degree angle from the hairline. The key is to find the correct angles between the landmarks. It is a lot to keep track of, but with practice you'll get it!
@writedrawface
I got a little messy with mine because I wanted to create something spooky but overall it was an exercise I enjoyed!
Rachel Dawn Owens
Looks like you had fun. Watch out for the shadow over your drawing when you photograph it. Posting a clean photo will help us see what you made. I like spooky stuff. Glad you enjoyed it. Keep it up!
Melanie Scearce
Your drawing is so cute! This guy is difficult to draw for proportion practice because that wiry hair conceals the form a bit. You want to block in the anatomy before you place the fur so that it looks a though the texture of the fur is wrapping around a 3D object rather than a flat object. Use lots of curves to find the shapes that the sections of fur make over the form and follow that path with your strokes. Hope that helps :)
@writedrawface
Thank you so much for the feedback! I'll keep this in mind when I try another
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