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Kiki K.
Kiki K.
Georgia, USA
Activity Feed
Kiki K.
This was a useful and fun lesson. I pushed the pose, but I was not sure if I should had changed the position of the limbs, so I re-did to focus more on exaggeration.
Kiki K.
Hey everyone: I really enjoyed this lesson; I haven’t thought about drawing people moving. I tried to do an assignment for this lesson so the pages with 3 gestures are poses from the lesson; the page with 2 gestured are drawings from reference photos of people running. This was soooo fun!
Kiki K.
My mannequin studies. These are 2 front poses and a back pose from the Free Proko model poses. It had nudity so I was not sure if it was ok to post the reference pics. I wanted to try doing it on my own without watching Proko. Any feedback is appreciated. Thank you in advance.
Kiki K.
Hey everyone! My own attempt! I worked on my own reference pic. I tried to apply all that I learned in this wonderful course. I have had a hard time finding reference pics so in my search for a pic with shadows, I thought that a pic from the silent movies would do well. I was really happy with this pic because the model is beautiful and inspiring; but, now I feel that 1) she had more than one source of light; and 2) the black and white made it hard to discern the objects in the shadow. I am happy with the drawing. But, I am disappointed that I was not able to capture her properly. In the pic, she is a young, fabulous movie star; but, in my drawing, she is an older, austere woman. I think maybe it is her mouth and chin; I think I drew the mouth too low and the chin too small. The softness of her features is just not there. Btw, I did keep the highlight in her shadow part of the hair. I know that they should had no highlights, but I wanted to practice the hair so I gave myself artistic license to do so; otherwise, it would be just a black blob. Lol Any feedback would be greatly appreciated. @Jesper Axelsson
Carlos Figueiredo
It's a very nice idea to use old PB movies as reference. The highlights and shadows are there, that you wanted to practice are there. Something you could improve is use intermediate values to softener the transition between the highlight and shadows. Because of the sudden transitions, the shadows ended of working as hard edges, and made what would be a young lady to look older with more protuberant face bones. I trust you can still fix this drawing pretty easily, you can just smudge a bit the hard edges with a paper towel, and it would add middle values that will bring back the soft aspect of a young face
Kiki K.
My final assignment! Yay! @Jesper Axelsson I hope you had a great Thanksgiving; despite the holidays, I managed to finish her on Thanksgiving. I did it in stages. I didn’t apply what you taught me from Nicolai because I was almost done with the drawing by the time I read your critique. However, I am working on my a different portrait that I will post keeping in mind your advice. in the meanwhile, I was not as happy with this assignment as the last. I had to re-work the eyes a few times, but they still didn’t get fixed; the eyes are not symmetrical. I also think that the nose is too big, and the mouth too small or off somehow. I’m not sure what is wrong with the mouth, but I feel there is something not right. I like the hair tho I think there is space for improvement. So compared to Nocolai; this drawing left me with many doubts and questions. Lol However, I am really happy that I tried drawing it; didn’t give up; and finished it. And overall, I think it was a real good effort. Any feedback would be greatly appreciated.
Kiki K.
I did my assignment by drawing along with Proko. I was really intimidated; but, I went for it; and, I’m really happy with the drawing. As always, any feedback is welcome. Tia
Jesper Axelsson
Nice drawing! What are you most happy with? I think you've done an especially good job with the shading; light and shadow clearly separated, and the core shadow shows the form quite well! To help me critique, it would be nice to hear you describe your process (something like "I started with... then..." "I followed Stan's process..." "The most difficult thing was" etc.) Cheers :)
Kiki K.
This assignment was hard for me; I have a hard time with boxes. I have started doing warm ups by practicing boxes in different directions. In the meanwhile, I had to spend a month on this lesson before I was comfortable with attempting it on my own. I’m having a hard time also seeing the direction of the torso and the pelvis. Lol Any feed back is appreciated. Please let me know if I’m ok to move to the next lesson; or if I need to stay here and practice boxes some more. Thank you. (I numbered the drawings according to the order in the Proko’s poses.) @Jesper Axelsson I’m still here doing my lessons; I would really appreciate if you please give me feedback on my drawings. Tia
Andrea Anaya
On number 11 and 39 the pelvis doesn't really look like a box. The parallel lines should be converging to the same point. Try practicing drawing some boxes in perspective and then trying the robo bean again. The blue lines I drew over your drawings, if you keep extending the lines eventually they will meet. Try extending the lines longer than they should be for your box. I hope this is helfpul.
Jesper Axelsson
Hi @Cristina Kaiden, I think you have done a good job with these. Really nice job with the gesture in #39. The proportions, placement and construction of the boxes could be improved, but if you feel fed up with this lesson, I think they are good enough. Feel free to move on. You can always revisit this lesson later on if you feel like you need to :) BOXES It would be nice to see your warm-up boxes too. Maybe I can help make them less of a struggle. It can be hard to discover errors without another pair of eyes. Looking at your beans I have a hunch that you're struggling with getting the convergence right. "I'M HAVING A HARD TIME ALSO SEEING THE DIRECTION OF THE TORSO AND THE PELVIS" I found this to be challenging too; the roundness of the forms can make it hard to imagine the box. What I did was to revist the lesson video often How to Draw Structure in the Body – Robo Bean at 2:54 to make sure I got the placement correct. Landmarks is key. If you find the asis and 10th rib corners, and place them in correct relationship on the paper, the correct box will unfold itself from that. If you have trouble finding the landmarks, imagining touching the model aswell as knowing where they are on yourself could help. Another thing that could help is to practice drawing the robo bean from imagination; you try to draw the "green robo bean" from the lesson video at 04:57, in different poses, checking your proportions with the video, until you have internalized it. When you encounter a difficult pose, you can think of what "the green robo bean" would have looked like in that pose, then alter it slighly to match the proportions of the individual. PAINTOVER I tried doing the beans myself. Maybe my solutions can be of some help. I also wrote some comments Hope this helps :) Keep up the good work!
Kiki K.
I did my first assignment following Proko’s lesson and then I tried one on my own. Any feedback is appreciated. Tia
Yoshi Oda
14d
i think the back of the head might be a bit to long for the second image (I know I’m really late to this post).
@weill
3yr
First one is good. In the second one hair is not bad but you didn't establish the shape of the mass at the beginning.
Kiki K.
Ears!!! The first is the Proko assignment; the other two, I did from pics online. Any feedback is welcome.
@sajidsan
3yr
Wow, these look great and what a great range. Not qualified to give you feedback but happy I ran across this :)
Kiki K.
Lips!!! I did Proko lips by drawing along; then I tried 2 pics. I had a hard time seeing the darker areas, but I tried to shade what I saw in the pic. I’m not sure if the proportion on the middle lips is correct; I think they may be a little too wide. Any feedback is welcome and appreciated. Tia
Jesper Axelsson
Hi @Cristina Kaiden, I think you've done a pretty good job with these! I'll do my best to help you further: - Like with the nose, structure plays a big role in drawing lips (or anything 3D). It's important to "build" the mouth, the way you do with the mannequin in the figure drawing course. Building it makes sure that the perspective is right, and also the shading; In the middle drawing for example, the top lip is facing downward slightly, and the bottom lip up slightly, So the overall value of the bottom lip should be lighter, since it's facing the light more. The portrait drawing course mentions structure, but it doesn't give you any indepth practice drills. But the figure drawing course does that. If you want to improve you lip drawing, continuing to work on the figure drawing course aswell, is probably a good idea. - Try to pick photos with better lighting. In the second photo you drew from, the lighting is quite flat, making it more difficult to show the form. Look for well lit photos with clear light and shade. Also, when you google for "lips" or "eyes" or "nose", you usually end up with very stylized photos, ( some probably use photoshop) and you don't really get to see what the feature actually looks like. I prefer to type in a name, a celebrity, or someone you know will appear in google images, to avoid those "fake" lips. Hope this helps :)
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