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Filippo Galli
Filippo Galli
Italy
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Filippo Galli
Here are a bunch of simple optical illusions I cooked up freehand. They aren't 100% grid perfect, but I think the lines can still work even if a little wacky; I just thought I might take the chance to practice line control, y'know?
Filippo Galli
I definitely could have done a better job for the first rendered hands, but I believe that it got better with the later ones. In the end I only practiced a single, simplified kind of hand so further studies which vary in age, shape language and masculine vs. feminine would of course be required.
Filippo Galli
Melanie Scearce
Really nice work. Those gestural moments between the structural anchors are 👌
Filippo Galli
Very very rough.
Filippo Galli
Triceps assignments sometimes featuring some lazy tone in areas of interest.
Melanie Scearce
Nice studies! I noticed a couple of times where the brachialis is shown as a small lump so I drew over one of your drawings. The origin is close to the insertion of the deltoid, and it is very visible when the arm is in pronation. I also noticed that in one of your drawing, the labeling of the medial head of the triceps was a bit misleading. Wanted to point it out because I'm not sure if it's meant to indicate that the medial head is only visible from the other side, but it looks like it's pointing to the ridge muscles. Medial = towards the middle. Hope that helps :)
Filippo Galli
Here is the final study of the course. What a ride it was! Looking back at the start, the amount of knowledge I have gained and the skills I have acquired & refined through practice definitely allow me to tackle subjects that I otherwise would have only dreamed of. Thank you for this course, Stan! The road is long, we keep on going.
Filippo Galli
And here are some warm-ups I did before the sessions.. If you can even call them that, since some took over 1 hour. I actually skipped doing these for 2 out of 5 sessions.
Filippo Galli
My dream job would be to become a concept artist capable of designing and painting worlds that use art fundamentals to look believable; used as tools to tell stories and create amazing set pieces. As of right now, my goal is to hone my skills in many subjects, perspective being one of these of course. I have found myself to “suffer” from aphantasia, the funny “try to imagine an apple thing” if you’ve ever heard of it, and this makes it troublesome for me to put things down on paper as I see nothing before the stroke has been laid. I guess you could call it the opposite of what makes Kim Jung Gi amaze everyone, but I won’t use this as an excuse to say that I’m a worse artist or to call him more privileged than I am: the road is long, and just as others traveled it to reach the point where they are now, so will I. Perhaps the goal I’d like to set is to create a big environmental artwork which includes some storytelling; something close to the artworks I’m sharing down below. These include concept art from games I’ve played and tv series I’ve watched, plus some artworks from people I follow. left to right: @/zhuzi_k, Adrian Bush, Shahab Alizandeh, Philip Soma Urlich, Nick Gindraux (x2), some artist from the Zelda team, some artist at Fromsoftware, Martin Bailly, Ian Jacobson, @/alumizky & @/alzzzimi. (all @ are from twitter)
Filippo Galli
Filippo Galli
Assignments I've done last month and didn't upload.
Melanie Scearce
Very nice! Are there any areas that you struggled with/are unsure about?
Filippo Galli
Pretty sure I'm leaning too much on countour-sight rather than actually measuring.
Filippo Galli
Here are the second and third batch I've done last month and didn't upload. I will be back to finish this course and more soon.
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