Leyley
Leyley
Earth
Activity Feed
Gurpreet Singh
Week 2-- 5 minute figures
Leyley
21d
Wow your figure drawings are so dynamic and cool ! Great work :)
Leyley
Week 3 - hands and feet
Leyley
Hello all! Here are my final drawings. This challenge was so efficient and useful to practice as a routine, thank you for this ! I really should make a habit of drawing figures, hands, features, etc regularly. Week 2 - static poses
Heart PounD
Week2 day 7 gesture drawing. Really disappointed on myself. I don't even wanna draw anymore.
Leyley
28d
Keep going, you're doing a good job ! Gesture drawing is not easy. We all have disappointing days but you can't wrong with practice and you'll eventually see the results.
Leyley
Week 1- 5 minutes Now working on week 2 gesture drawings !
Leyley
Hello all ! My entry for : Week 1 - 1 minute
Leyley
Thank you for your course Marshall, it has been really enlightening so far, especially (but not only!) the last critique video. Lots of useful info and content I found nowhere else. As Espy said before me, I would definitely enjoy other courses from you, whether you're dealing with the fundamentals of art or more advanced techniques. Looking forward to more !
Marshall Vandruff
Leyley, I hope to do this for the coming years, and it looks like I can because of you all supporting us here in Premium. Thanks! More courses in hope and indeed, but I've got a full year of work ahead to keep this one going. Maybe after perspective, we'll get wild.
Leyley
Hello all, I'm Leïla, very pleased to be here and looking forward to Marshall's course ! I'm a self-taught artist (well, apart from online classes from times to times, I never had a formal art education) and perspective has always been the tricky subject, unless with references. I never draw backgrounds and complete scenery and I'd like this to change. I would like to create full illustrations with interesting composition and a sense of storytelling. Basically, like Marshall said, being able to draw the scenes that often play in my mind without needing the exact reference for the character pose or the environment (which is nearly impossible to find). Learning perspective and how to effectively apply it would be the first essential step on this long (exciting) road. For inspiration, It's difficult to have a list but I'm thinking about Hayao Miyasaki, Glen Keane, Moebius, and some 18th century historical engravings (but there are still many artists to think about and a great deal has already been quoted before : Juanjo Guarnido, Kim Jung Gi, James Gurney, Jean-Baptiste Monge...)
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