In this lesson I demonstrate how to paint indirect light from a flashlight onto our former painting of a well.
Newest

@kgraham
10d
Hello,
I also found the stepping stone house quite inspiring but imagined the scene to be underwater. I have included two points of illumination - the light at the back of the house and a hermit crab postie.
I think I have tidied up edges a bit too severely as some edges lose the soft transition from image to background. But I found this to be a fun exercise overall and am looking forward to future ones!
Filippo Galli
26d
Monsters and Well!
I think that in terms of bounce light I always tend to dim it down a notch.
This comes from trying to keep the value structure clear with separated light and dark families, so that bounce light isn't brighter than any halftone.
Perhaps I'll push it a bit further in the next studies and artworks and really make it pop.
Martin Vrkljan
4mo
I imagined a tired bear wizard returning to his home with his trusty hooded staff of light. :)
@stefyart
7mo
I preferred not to choose the same draw that Jeremy did, to avoid 'copying', so I opted for the mushroom house.
I did two versions: the first with a direct light from below coming from a shiny puddle, the second with a lateral direct light using the round fruit attached to the tail of the roof as light source.
Any feedback is very appreciated.

Vin
7mo
Hello, here is my result.
Give a gift
Give a gift card for art students to use on anything in the Proko store.
Or gift this course:
About instructor
Jeremy teaches Light and Color and has worked for over 25 years in the animation, film and games industry, most notably at Pixar Animation Studios