Details + Assignment
Details + Assignment
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3:51

Med's Map

Alla Prima - Direct Painting

Details + Assignment

198

Using the image provided, try to slowly study the value groups by planning the very basic simple shapes to build up the painting. If you feel stuck, refer back to the lesson video and watch it as many times as you need to. If this is still too difficult, it’s okay to move on and come back to it at another time. 

Newest
@elkad
3mo
That was pretty difficult! I found painting directly to be a lot to juggle all at once (shape, value, hue, saturation etc), but I can definitely see how refining big to small makes things manageable. Just need more practice I guess (and to refrain from jumping into details too quickly!)
Luke
10mo
Johnathan
10mo
Assignment Painting without a line drawing is tough
M B
10mo
One of the best courses I have ever attended, Sure I need to practice but the result of the first attempt was satisfactory ,Thank you Ahmed
Martha Muniz
Congrats on your first attempt :) I like your clear value distinctions and portrait likeness for this piece. Something that could help is thinking about where the light source is coming from and how it affects the subject, i.e. how the light rays land on his face. Because it's coming from the right and a bit in front in this example, it'd help to check for and reinforce the light side as being on the front and right side of his face, while the left side is mostly in shadow, including the neck. Smaller plane changes that could block light are also good places to check, like under his brows, nose, and jaw. Another tip for painting is to keep a variety of hard edges and soft edges to make it feel more natural and balanced. Especially when there's a sharp turn, the edge will appear much harsher, while a more gradual transition, like a curved surface, will have a softer edge. Hope this helps and let me know if you have any questions. Happy painting!
@morelock
2yr
Really enjoying this lesson. I feel like I've spent a lot of time "coloring my sketch" vs. painting the reference. Carving into just big blocky shapes really felt low stress. Might go back and finish rendering this one, nice subject.
@morelock
2yr
This one was a bit more of a struggle, I think the 3/4 view I did miss the lack of a sketch and floundered around finding the right placement for the features. Was worth it in the end, I like how it turned out although of course much could be improved upon.
Solon Guedes
I choose not to use the references that was provide to us. The more unfinished ones was my first attempts. This assignment took a long time to me be able to understand how to simplify. In the first week I've could do nothing but i keep trying. There is still a lot do, a lot to overcome, to learn, and this is the best part. If you are struggling with this part of the course...dont give up! Keep trying. Go back and check the classes again ( I did it a lot). Ask for help if you need it. Good luck! Critiques are welcome! :)
Myles Goethe
Yeah I know my first one is far better. I ran outta juice while painting the younger female model xD
Nio
2yr
I was pretty confused at the beginning so I chose some references that were simpler in terms of lighting. I really like this way of painting so I'm submitting my assignment as it is because I will continue practicing this technique in my personal work anyways. I just wanted to get the concept down. Things like proportions and getting the right shapes will come with practice.
Nio
2yr
Also I forgot to mention this advice... flip your canvas. I have a terrible habit of NEVER flipping my canvas... I just don't think about it which really isn't good. I went back and flipped both of my paintings and found some errors that could have been easily solved if I flipped it during the painting.
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