Critique - First Steps to Mastering Gesture
Critique - First Steps to Mastering Gesture
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Critique - First Steps to Mastering Gesture
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Mario Ulloa
Drew along all the critiques to get a better sense of what you were looking for. Think I also was trying to just construct as they were shown to me rather then focusing on just the energy and rhythm of the pose. Im guessing as a rule all these gestures should be drawn from the arm to get that flowing line. (I drew from the wrist for most of my life)
LESSON NOTES

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In this critique, we focus on enhancing your gesture drawings by emphasizing rhythm and connections, specifically in standing poses. You'll learn how to:

  • Separate contour from rhythm and abstraction to create a strong foundation.
  • Set up a blueprint for developing gestures into full figures.
  • Examine rhythm in your drawings and address unintentional symmetry.
  • Explain differences in weight to add depth and realism.

We'll demonstrate how to:

  • Initiate rhythm on a diagonal to introduce movement and drama.
  • Emphasize thrust and counter-thrust between the ribcage and pelvis.
  • Use wrapping lines for foreshortening and depth.
  • Adjust limbs to enhance flow and unity in your figures.

We'll also cover:

  • Connecting limbs seamlessly into the torso's rhythm.
  • Creating flow throughout the figure without relying on contours.
  • Handling back views with opposite wrapping lines.
  • Adding interest to symmetrical poses by introducing diagonals.

By focusing on the story and design of your poses, you'll learn to convey emotion and movement effectively. We'll provide practical tips for practicing gesture drawing and highlight common issues to avoid, such as overemphasis on contour and unintentional symmetry.

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COMMENTS
Michael Hampton
This gesture critique focuses on emphasizing rhythm, movement, and fluid connections rather than contour.
Newest
just me following along
Help!