Portrait Painting in Oil Without a Brain
Getting Started
Grid Method
Observational Drawing
Color Mixing and Values
Separating Lights and Shadows
Edges And Planes
Painting with Color
Intermediate Portrait
Advanced Portrait
Drawing
Pastel Portrait
Digital Portrait
Additional Content
Interview: Why Risk Taking in Art Is the Key to Success
45K
Interview: Why Risk Taking in Art Is the Key to Success
Lesson by
45K
Kristian Nee interviews me about my career, and what I think it takes to learn painting well.
Newest
@micheledavisart
1mo
Also it was easier to sit here and watch this interview instead of mixing my next set of skin tones. Lol
@micheledavisart
1mo
Great interview — thank you! I agree that it would be so helpful to see a course demonstrating different starting methods according to the total time allotment for a given sketch or painting. Also could relate to the endlessly taking classes instead of moving forward into real life art challenges. It’s easier and more fun to take a class; taking on a commission for a client is challenging and often not fun. But I have probably learned more from the latter because I am forced to put every skill into practice and be a “professional.’
@julia_kamenskikh
1mo
Thank you for the interview! Great insight and pleasure!
@stewedveg
2mo
Hello Morgan, I tried a bit of choppier look with this one (after your comments about calligraphy of strokes) and tried to get a bit looser rather than smoothed out. Such a great fun photo to paint. Thank you!
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2mo
Good job! Some of your areas are a little out of value but overall you have it. See if you can find any halftones that might be too dark. and find any reflected lights that might be too light.
Gaye Sekula
2mo
This interview was great! Thank you for all you have put into this course. I wish it had been around when I was starting. THANK YOU!
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About instructor
Award winning fine artist represented by @legacygalleryart in Scottsdale AZ
