Inking and Rendering Backgrounds
Inking and Rendering Backgrounds
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Inking and Rendering Backgrounds
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squeen
SUMMONINGS BY STYGIAN MOONLIGHT Tried to ink a night sky like Franklin Booth and missed by a mile! :) Ultimately I punted and introduced a gray-washing (digitally) to get the feel of Moonlight. Oh, ink! You are such an unforgiving task master. Credit goes to Art Adams for the gesture of the priestess.
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David Finch
In this lesson, I’ll demonstrate how to ink lush backgrounds without distracting from the figures in your panels.
Newest
3yr
@Steve Lenze : I want you to know how much I appreciate you taking the time to show me some pointers. I've gotten all my art instruction from on-line source these past two years, and great feedback like this is probably the thing I miss the most from not having a formal (living) instructor. I love your compositional ideas and will take them to heart. This is just a page from my sketchbook. In particular, one in which I thought "Could I shade a night sky like Franklin Booth?" (I recently bought Flesk's Silent Sympathy art-book about him). The composition was ill planned and once the levitating mummy was in it (started in October, of course) I floudered around quite a bit trying to balance it with other figures before I settle on the buried devil and priestess. Failure to plan is planning to fail...or so the saying goes. I knew that it was compositionally weak, but did not know how to fix it. Now I do! Next attempt will hopefully be better. Of course, I am just learning how to ink too. :P Thank you!
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