Day 1 - Blocking In Values and the Big Impression
Day 1 - Blocking In Values and the Big Impression
This lesson is premium only. Join us in the full course!
2:04:40

Realistic Portrait Drawing

Day 1 - Blocking In Values and the Big Impression

1.6K

Day 1 - Blocking In Values and the Big Impression

1.6K
Newest
Filip Mladenovic
As I'm watching this block in step I can't help but compare the drawing to the photo presented in the video. I specifically noticed that the planes of the face you've drawn have more sense of depth or perspective than the photo. Sort of pushing the frontal planes of the face forward? In the photo I (think) I'm seeing face as a lot flatter with less foreshortening in areas. Is this just because of the focal length of the photo vs. life or is the sense of depth something you intentionally strive for (maybe exaggerate) in your block-in? Would you recommend trying to compensate for some of the limitations in photos if we don't have the luxury of working from live models?
Stephen Bauman
Good question, Filip. I have noticed that the photo here is from a slightly different perspective than I am drawing from. As far as the values/planes are concerned, I usually look to the highlight for contrast when establishing my values/planes. This gives me more room on the value scale to work with and generally results in darker half tones. In general I try to be pretty faithful to what I am seeing but I also accept that what I am seeing is an interpretation. It's editorialised, if you will.
Branden Sherman
Hey Stephen, I'm wondering if you have any advice on how you go about the direction of hatching as you block in the values and then proceed to shade? Is it a matter of becoming more familiar with the anatomy of the face as well as intuiting the forms on the model's face? I feel like whenever I shade I end up over-rendering and it doesn't flow properly, especially in the middle of the cheeks and forehead where forms are more subtle as they are facing the viewer. I am focusing on blocking in values and forms more lightly in the beginning which has been very helpful as I can be a bit heavy handed and move too quickly. This is a great course and I appreciate all the insights and advice throughout!
Stephen Bauman
Happy to help, Branden. In terms of muscles and fat deposits I will tend to hatch in a way that is perpendicular to the longest axis of the particular form. In the case of the Malar fat pad (on the cheek), the long axis travels from the more medial side plane of the nose backward and downward towards the mandible. I would avoid having my hatching/value application to take that same direction.
Lena
4yr
Hi.thank you for this great Class. I just noticed that in the first video, several sentences were repeated. I love the new website much more fun to use.
Ben Hawke
4yr
Yes I also have this.
Lena
4yr
Hi. it starts at 00:12.
Stephen Bauman
Thank you for the heads up- may I ask where in the timeline?
Use Code BLACK20 to Save 20%
Full course
You will be given unexpiring access to watch the videos online .
View course details
Give a gift
Give a gift card for art students to use on anything in the Proko store.
Or gift this course:
About instructor
Artist and teacher
Help!
Browse the FAQs or our more detailed Documentation. If you still need help or to contact us for any reason, drop us a line and we’ll get back to you as soon as possible!