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@hyki
•
1yr
added comment inUnderstanding Light and Shadow for Painting
Asked for help
Hi everyone. Here is my attempt at the intermediate and advanced challenges. I tried to keep the details to a minimum when changing the light source on the portrait, but rendering the hair was a huge obstacle for me. I think it still looks muddy where the light hits above her left eye socket (the right eye socket from our perspective).
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1yr
Nice, these are looking great! a tip for the hair if you're struggling there, you could try thinking of the hair in more geometric "chunks" of large shapes to help you visualize the shape that it'll take. You can then texture out those large chunks to get that "hair" quality, but the overall approach to shading hair like that could help you. Stan's lesson on hair (here: https://www.proko.com/course-lesson/how-to-draw-hair/assignments) kind of goes over his approach and that could be useful.
Asked for help
Definitely the hardest lesson of the course. Backgrounds aren't something I think about or practice at all, so this was a struggle. With that said, I'm happy with the result I ended up with, and like always I can't wait to keep practicing and eventually compare my future work to this to see my progress.
The lighting setup I was going for here was an overcast day, so I tried to keep my cast shadows to a minimum and put more focus on softer form shadows. Overall I didn't end up changing too much from the original figure painting. In the end I think the contrast between the figure and the background might be too much, and it doesn't help that the background is more textured and painterly while the figure is clear and crisp. It was a fun study though.
Looking forward to continuing this course! Thanks again Jon.
@hyki
•
1yr
Asked for help
Very late on this one lol. Regardless, I enjoyed using this process.
Like a lot of other people it was confusing at first to try and understand occlusion shadows, especially deciding what was an occlusion shadow and what supposedly wasn't. Eventually I had to set some hard rules for myself and stick to them to avoid getting too carried away. Another huge problem for me was trying to keep my values in line throughout the whole process. I'm looking at my image in grayscale as I write this and hoping I did a good enough job. Finally, I had some issues blending my sketch and painting together, and for a large part of my process I had the sketch sitting on top of my painting unblended. Even as I moved on to the actual painting part, I wasn't exactly sure how to incorporate the two together.
I'm excited to keep trying this method though. My brain needs some sort of process to follow in order to get the best results, so I'm going to keep trying this again and again to hopefully work out my issues and problems. This was overall a great baseline and Jon explained things very well. Thanks Jon.
@hyki
•
2yr
Asked for help
Here is my attempt!
I wanted to make my painting to have a sickly/toxic feel to it. To do that, I used a colder green light and warmer reddish shadows. I'm happy with what I came up with, but I just hope that my colors aren't too reminiscent of Christmas because of the red+green color palette and the white fur trim on her clothes.
@hyki
•
2yr
Asked for help
Here is my attempt! I had a lot of fun doing this, but there were definitely some challenges that I had to overcome. I think I spent way too much time trying to figure out the reference in the first part of the assignment, as the cloak/fox pelt was really confusing for me to look at and decide what details to include/omit. Part 2 was my favorite, and I tried my best to make something that I thought was interesting. I've attached a screenshot of my layers for both versions, so you can see how my process works, I still think I can be more efficient with my layers and merge things down, which is what I tried to do more in Part 2.
I also wondering if my values could use some improvement, so if anyone has some critique on that I'd love to hear it.
I also noticed that the image preview compresses the details in my second assignment a lot, but they can be seen much better if you open the original image.