Stage 3: Finishing a drawing is a part of the process that tests the quality of all of the other stages. The design and the values and transitions are getting refined and subtle and can risk to lose their sense of structure. It is for this reason that we will stick to applying the fundamental lessons that were described in the first two stages but in a tighter way. The shapes we will use to describe to planes of the features should stay distinct and unified. Your assignment in this moment of the drawing is to assess the big picture. Are the shadows and lights distinct from each other? Are the edges of your halftone shapes soft enough? Is the hierarchy of values organized so that the lightest planes appear to be filled with light? These are the questions that we will have to answer in this final stage.
Stephen,
After many failed attempts, I’ve finally produced a drawing I’m happy with. Thank you (and Stan) for getting me this far. Your courses have been invaluable.
There is still plenty of room for improvement, so I would welcome your critique and suggestions. I know the eyes are a little too big—I always seem to do that no matter how much I measure. I also need to work on my photography. The halftone transitions in the photo attachment are harsher than in the actual drawing.
Please let me know of anything you see that you think I should work on. Thanks again.
Richard
2023/1/1. Good evening everybody. Here's my assignment for the first part of @Stephen Bauman's Classical Portraiture course. Thanks for any comment or suggestion that could help me to improve it.
I have scanned this, and am not happy with the way the highlight looks on her forehead - its got more subtlety in "real-life"... I guess here is another lesson for me to work out the best way to scan/take a photo of a drawing...
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Assignment
Stage 3: Finishing a drawing is a part of the process that tests the quality of all of the other stages. The design and the values and transitions are getting refined and subtle and can risk to lose their sense of structure. It is for this reason that we will stick to applying the fundamental lessons that were described in the first two stages but in a tighter way. The shapes we will use to describe to planes of the features should stay distinct and unified. Your assignment in this moment of the drawing is to assess the big picture. Are the shadows and lights distinct from each other? Are the edges of your halftone shapes soft enough? Is the hierarchy of values organized so that the lightest planes appear to be filled with light? These are the questions that we will have to answer in this final stage.