Portrait of a spooky (and silly) orc vampire. Critiques are welcome
4yr
Júlio Kronemberger
Hi everyone! Hope you're all doing well :) Firstly, just a bit of background. I'm 20, I've always been fond of creating art, but I've really started to take my artistic training seriously about 2 years ago, when I decided that I want to make my living as an illustrator. Since then I've done a lot of charcoal drawing, a little bit of oil painting and I've recently (about a month ago) decided that I should give digital painting a try. So far, I believe this is the best painting that came out of this endeavour. I'm pretty happy about it overall, but there are a few things bugging me. Specially the armor (I seem to have quite a hard time painting metal) and the facial hair. So any advice on how to deal with these would be really appreciated. Regarding the character, the idea to paint him came to me while I was playing "The Elder Scrolls V Skyrim". He’s supposed to be an orc vampire. I was going for a slightly stylized look trying to make him feel at the same time ominous and a bit silly. (imagine something like Vladislav from “What We Do in the Shadows”) Finally, feel free to share your thoughts or to ask me anything you'd like to know about me or the painting. Thanks a lot!
All posts
Newest
Josh Sunga
4yr
Hey @Júlio Kronemberger! Thanks for sharing! I did a paintover just to see how it would look if I bumped up the contrast. You have a nice structure with the harsh lighting, but I felt it could use more highlights to pull out that extra dimensionality. In some cases that meant darkening an area such as the eyes or forehead so that the light would pop more. This helped with the metal and facial hair rendering. Especially for metal- adding those bright values really start to bring out the material. Depending on how you treat the highlight you can create a variety of metal qualities. I think your material actually worked as a nice matte metal but I wanted to showcase how much variety you can get in the armor without it being too distracting. Sometimes I'll leave messy strokes in the painting just for visual interest- but you can also utilize each paint stroke to indicate directionality. This helps with things like armor to emphasize the different pieces or plane shifts of the form. Adding a touch of light to the fabric was more consistent with the lighting. And I think popping out the velvet helps frame the face a little better. Other than that, I love the expression and the little bat engraving you added. And as said before, I really like the light structure you designed! Great work!
Júlio Kronemberger
Hi @Josh Sunga! Thanks for the awesome critique! All the advice was incredibly helpful! The highlights really needed that extra bit pop, I really like how you handled the armor and the fabric and I just love how you increased the intensity of the red reflected light on the left side of his face. Again, thanks a lot! I look forward to giving this painting another try!
Help!
Browse the FAQs or our more detailed Documentation. If you still need help or to contact us for any reason, drop us a line and we’ll get back to you as soon as possible!