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@seazeff
I prefer harsh and direct critique, please don't hold back. Level 1 hierarchy method and light and shadow method. My own observation is that maybe I'm not pushing the difference between the thickest and thinnest lines in the hierarchy method to a large degree and the light and shadow method is also showing some of that to a lesser extent. I struggled with figuring out exactly what to do with the darkest areas (ear and fold by front leg) with the light and shadow method. I tried to give the same treatment I did with the fold to the ear and it looked very strange, so I dialed it back even though there isn't much of any light there. I felt unsure about how to handle the light and shadow method and was a bit frustrated. I think I rushed it at the end because I wasn't really sure if I was meeting the brief.
loes roos
1yr
Hi. In the first you say you use hierarchy but all lines, especially outlines seem more or less the same. Have a good look around and at the critique video. The second one gives a lot of importance to the one fold and the bottom lip and the inner ear because the contrast is real big there. thick line. When you make thick or heavy lines around the eyes or the horn outline or the horn shadow line, you move away from literally using the reference. Dare to be more free. The proportions from the reference, but what is important or shaded can be imaginary.
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