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Charlie Roberts
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3yr
added comment inCinematic Storytelling and Compositional Pitfalls
Here's a comic book page I made a while back before ever watching these lessons. At the time, I thought I was being clever using a tangent between the lower jaw in the smaller panel and the side of the horn/petal/nose thing in the larger one.
I wanted to ask two questions.
1. Do you think the tangent worked in this instance or not?
2. Are there examples of where tangents can be used to bolster the impact of the page or should it always be avoided?