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Lisa L
•
2yr
added comment inProject - Simplify from Observation
I did both the pear and the portrait. The proportions are a bit off on the portrait, but I found limiting to 5 values and keeping the edges sharp to be a really good exercise. It makes every detail a decision point.
Rich Morris
2yr
I'm definitely going to try shading the 5 tone boxes next time
@kriscombobulator
•
2yr
Level 1 pear 1. HB pencil.
Things that surprised me or I learned:
- Race of the darks: definitely start with the darkest shadows, and get to as dark as you can with your pencil. I didn't have other pencils at hand, so yeah. It was hard to get a light enough value, and especially to differentiate between lighter values. Before I knew it, what was supposed to be the lightest value turned out as dark as the next lightest, so I had to add to all darker values successively, over and over, but then I hit the HB's limit I think...
- Coming back to a certain value and adding an extra area with the same value is really hard. I'll have to practice my values with silly filling doodles.
- It's hard to draw hard egdes without actually drawing a line, just by shading...
- This was a lot more fun than I imagined up front ! Yay !
Rich Morris
•
2yr
First try, went for drawing from life instead of the photo. I really struggle to see the differences in the half tones vs color changes. Hard to stick to geometric shapes/lines too!
This looks great, nicely done and amazing lighting on your reference! I love the choice of backdrop too.
Finding halftones can be hard, but they are there. I find squinting so the subject becomes a bit of a blur helps me identify halftones. If you can see the shadow as one big shape, and the lightest lights as small highlights, you can then see some variation in halftone in between.
Colour changes can often indicate a halftone, so use a colour change to help guide you if you're struggling. Darks tend to be more saturated and lights tend to be less saturated.
Nice choice for the drawing. You can freely add some darker values to the core shadow and cast shadow. Especially if the reference has a clear separation between light and dark.