Hey! These sketches look great, I especially like sketch #2 and #5! In first sketch, the arms look a bit too relaxed compared to the reference. I would keep the curve of the back of the arm but show tension through the forearm. Also adding the point of the elbow to show the perspective of the arm could help as well. I hope this is helpful and keep it up! :)

Hey! I found getting the proportions right tricky too, but i think did a good job with the proportions for this exercise! I think practising both ways would be beneficial but drawing the limbs with the rest of the body would be more so because the rhythms of the arms and legs move into the torso for example the connection between the pecs with the deltoids. For the limbs, I think you have done a good job for sketch #3. For sketch #4 I think you could add tapered strokes to the forearms as the lines are quite parallel instead of getting thinner towards the wrist. Also, for that pose, in the reference she has most of her weight bearing down on her left leg, your sketch shows her torso to be moving in the opposite direction, making it look like she hasn’t got that weight traveling down that leg. I think using center lines and a line for the angle of the shoulders can help when drawing the torso to support the pose. I hope this is helpful! :)

Hey @VAGABOND The fifth seal and the last ones are my favourite! The last seal in particular has good flow, I think you have improved. I think the waving flipper of the seal (on the second page) could have a simple curved line on one side contrasted with some straights that show the more complex bending form. Keep it up! :)

Hey @VAGABOND  I like your seals faces and the seals on the second page look even more 3 dimensional than the first page! I think adding some overlapping features such as fat folds can help to show more depth and compression in areas that are being squashed. The second seal on the first page could have a flatter belly as it is resting on the rocks (but still showing the weight bulging out from the neck with a curved line) this would contrast against the curves on the top of the seals back and tail. I think the seal on the second page (top right) could have the flipper lowered so it is more diagonal to the bending of the neck on the other side. I know this is stretching the reference a bit, but I think this could make the sketch more dynamic instead of these two points sticking out symmetrically. I hope these points are helpful! 😊

I really like the seal sketch at the top right corner! (on the first page) I also like a lot of your sketches on the last page, I think you have done well overlapping and showing the weight of the seals! I think the seal in the middle of the second page (#22) could have a simpler chest but still showing the outward direction at its peak and then the swooping down to its belly. This can give contrast against the bend in the seals back and could help to support the gesture of the tail which I think has been done really well. 

Hey! @julien Gaumet You’ve done really well when approaching a portrait with added difficulty! (The tilt of the head making the eyes appear closer to the nose as well as drawing curly hair.) For the curly hair, I think it’s great that you have simplified it to one shape around the head. I think you could break the outline a bit by adding one or two curls on the left-hand side to make it more interesting and to show that the hair is curly. I feel that the shading is definitely difficult but sectioning the hair into slightly smaller shapes that show the form of the curls before adding the darker values would help. Overall, I think this is a great portrait, keep it up! 😊