Demo - Designing Value Groups - Level 2
Demo - Designing Value Groups - Level 2
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56:24

Drawing Basics

Values

Demo - Designing Value Groups - Level 2

234
Course In Progress

Demo - Designing Value Groups - Level 2

234
Course In Progress
Stan Prokopenko
It's time for the level 2 project. Using the same cast drawing from level 1, I'll refine the drawing by adding values and adjusting edges.
Newest
Sita Rabeling
The photo accentuates the lights and darks more than I see in the drawing itself. Maybe I just want it to look better. Did not draw along, but compared the end drawing in the vid to what I was drawing. Half way through I discovered that zooming into the sculpture helped a lot.
Sajal Khare
Did this after watching the demo (i watched it on livestream lol)
Josh Fiddler
Okay, made some changes. Original, Post Demo 1, Post Demo 2 https://www.proko.com/s/tnpN
Josh Fiddler
It's amazing how upon returning after spending time away, you see all the things you don't like rather than the things you DO like. Man. How cruel 😂
Amani Noor (Amu)
Rachel Dawn Owens
Very pretty! I love the lost edges. This is a beautiful drawing!
ANX804U
9d
Josh Fiddler
Need to check my values: are half-tones lighter than reflected light. Dun Dun Dunnnnn
Smithies
12d
Thanks for the beautiful demo Stan. Is it possible to have some advice about how to recreate the lighting effects in the reference images? When I take my own reference pictures they look nothing like the stunning images provided for this exercise, and it would be nice to know how to get the right lighting set up for a still life if working from life for example.
Maria Bygrove
I thought it would be interesting to see Stan's finished level 1 and level 2 side by side. It clearly shows that the shadow and light areas broadly established in level 1 are still very much maintained in level 2, despite all the extra details. The only part that I wondered about is on the left side of the head, sort of between the cheek and the ear: I kept thinking it looked almost like a halftone, not a shadow. So I tested it by copying swatches of tone and sure enough, it's still darker than a halftone. It probably feels lighter only because of darker values surrounding it. Also, I wanted to ask about the concept of "contained shapes" that Stan talks about around minute 17. The video shows a couple of examples of artists who use contained shapes but could someone please suggest some counter examples? Artists that use non-contained shapes? It might help to understand the concept.
Rachel Dawn Owens
If I understand the concept correctly, ‘contained shapes’ refers to the definition of the planes. The blocky quality that you see in a Zorn or Leyendecker painting. Beksinski or Brian Froud might be artists who don’t use this concept so much. Thier values are still solid although the shapes move more organically. Not so blocky. I hope this is helpful. Good luck with your drawings!
Josh Fiddler
Re the values swatches, you're right. The magic of Simultaneous Contrast!
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Founder of Proko, artist and teacher of drawing, painting, and anatomy. I try to make my lessons fun and ultra packed with information.
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